Name: Heidi Stool: Stacking
Brand: Established & Sons • Sebastian Wrong
SKU: EST-6572
Price: 610.00 USD
Availability: InStock

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Spec Sheet

Description

Designer and cofounder of Established & Sons Sebastian Wrong melds nostalgia and practicality in a stacking version of Heidi. Taking its utility from the classic tractor, the seat is made from vacuum-formed thermoplastic and an injection-moulded resin for a UV-protected finish suitable for outdoor use. The stool also shines in the workplace, with its powder-coated tubular steel frame for a robust construction. Sebastian focuses on comfort and functionality, creating a cantilever base that flexes slightly with natural seated movement to provide a responsive comfort level.

Specifications

Size

Low
- 21.7" h x 16.5" w x 17.7" d (55x42x45cm)
- Seat height: 19.7" (50cm)
Medium
- 27.6" h x 16.5" w x 17.7" d (70x42x45cm)
- Seat height: 25.6" (65cm)
High
- 31.9" h x 16.5" w x 17.7" d (81x42x45cm)
- Seat height: 29.9" (76cm)

Material

Heat-formed acrylic, polyurethane, powder-coated tubular steel

Brand

Established & Sons

“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”

Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.

A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.

E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.