Melt Cone Fat Floor Light: Copper
Melt Cone Fat Floor Light: Copper
Melt Cone Fat Floor Light: Gold
Melt Cone Fat Floor Light: Gold
Melt Cone Fat Floor Light: Silver
Melt Cone Fat Floor Light: Silver
Melt Cone Fat Floor Light: Smoke
Melt Cone Fat Floor Light: Smoke
Melt Cone Fat Floor Light
Melt Cone Fat Floor Light
Melt Cone Fat Floor Light
Melt Cone Fat Floor Light
Melt Cone Fat Floor Light
Melt Cone Fat Floor Light
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Tom Dixon

Melt Cone Fat Floor Light

$2,895 – $3,625

$3,325

SKU: TD-MES01CH-FUN03M1

Average lead time: 1-2 weeks

$3,325

SKU: TD-MES01GO-FUN03M1

Average lead time: 1-2 weeks

$3,325

SKU: TD-MES01CO-FUN03M1

Average lead time: 1-2 weeks

$3,325

SKU: TD-MES01SM-FUN03M1

Average lead time: 1-2 weeks

$3,625

SKU: TD-MES01CH-FUN05M1

Average lead time: 1-2 weeks

$2,895

SKU: TD-MES01OP-FUN03M1

Average lead time: 1-2 weeks

$3,195

SKU: TD-MES01OP-FUN05M1

Average lead time: 1-2 weeks


Description

Brit Tom Dixon literally broke the mold with Melt, his vacuum-formed lighting design. His metallic "blob" shines as a floor lamp with a wide cone base. The distorted sphere shade comes in a choice of gold, copper, silver, or smoke finish to cast its softened glow with the designer's requisite offbeat style.

Specifications

Size

  • 68.7" h x 19.7" dia (174.5x50cm)
  • Cable length: 98.4" (250cm)

Material

Polycarbonate, powder-coated steel, glass

Technical

  • Contact us for UL details
  • LED
  • Color temperature: 3000K
  • Dimmable
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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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