Fiber Conference Armchair: Swivel Base with Return + Recycled Shell + Tilt
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
–
$2,649
$1,395
SKU: MUU-MFIBCSWTU-BLCK-A
$1,495
SKU: MUU-MFIBCSWTU-BLCK-B
$1,549
SKU: MUU-MFIBCSWTU-BLCK-C
$1,695
SKU: MUU-MFIBCSWTU-BLCK-E
$1,995
SKU: MUU-MFIBCSWTU-BLCK-R
$2,095
SKU: MUU-MFIBCSWTU-BLCK-T
$2,149
SKU: MUU-MFIBCSWTU-BLCK-U
$1,395
SKU: MUU-MFIBCSWTU-GREY-A
$1,495
SKU: MUU-MFIBCSWTU-GREY-B
$1,549
SKU: MUU-MFIBCSWTU-GREY-C
$1,695
SKU: MUU-MFIBCSWTU-GREY-E
$1,995
SKU: MUU-MFIBCSWTU-GREY-R
$2,095
SKU: MUU-MFIBCSWTU-GREY-T
$2,149
SKU: MUU-MFIBCSWTU-GREY-U
$2,449
SKU: MUU-MFIBCSWTU-BLCK-V
$2,649
SKU: MUU-MFIBCSWTU-BLCK-W
$2,449
SKU: MUU-MFIBCSWTU-GREY-V
$2,649
SKU: MUU-MFIBCSWTU-GREY-W
Description
Combining both the agreeably functional tilt option with automatic seat return distinguishes this variant of Fiber Conference Armchair from the Muuto series. With a strikingly sculptural yet exceedingly comfortable ergonomic design from Copenhagen-based Iskos-Berlin, the seating suits a range of work-oriented settings, be they in an office or the home. Fiber's embracing shell contours are engineered in 99% recycled plastic and then fully upholstered with a soft fixed cushion.
Specifications
Size
- 30.5" h x 25" w x 23.8" d (77.5x63.5x60.5cm)
- Seat height: 19.3" (49cm)
Material
Powder-coated aluminum, plastic, foam
Details
- Group A: Ocean, Remix, Wooly
- Group B: Canvas, Clara, Fiord, Re-Wool, Sabi, Steelcut, Steelcut Trio, Cameo, Hero, Grain, Knoll Hopsack, Manner, Prairie, Steelcut Quartet, Vibe II
- Group C: Hallingdal
- Group E: Balder, Ecriture, Twill Weave, Vidar, Divina, Divina MD, Divina Melange, Planum, Acca, Aegean, Beck, Hearth, Planum
- Group R: Easy Leather
- Group T: Refine Leather
- Group U: Endure Leather, Volo Leather
- Group V: Grace Leather
- Group W: Allure Leather
- COM and COL are available on request
Made in Poland
Brand
Muuto
Muuto made its impact on the design world by living up to its namesake "muttos,” the Finnish word that alludes to looking at things with a new perspective. "We give the designers the freedom to create new designs,” says co-founder Peter Bonnén. By giving free rein to the brightest design talent in Sweden, Norway, Finland and Denmark, there’s the breathing room to conjure a new take on a chair, vase or a lamp. Expanding on that success, Muuto was subsequently acquired by legendary brand Knoll In 2017, though it continues to be run independently from the company's headquarters in Copenhagen.
Peter and co-founder Kristian Byrge, who originally trained in economics and management respectively, might not have seemed destined to helm a new-influencer design firm. But it was a shared passion for all things design and and the distinctive style they dubbed “New Nordic” that rapidly brought worldwide recognition. "It serves as proof that we have something special to offer the design industry," the partners say. "We're proud to be part of the Knoll family and can't wait to unfold Muuto's global potential further in close collaboration with them."
Designer
Iskos-Berlin
“One of the biggest challenges for a designer,” notes Boris Berlin of Iskos-Berlin, “is to create quiet objects that don’t intrude with their egocentricity, don’t compete with the surroundings or the architecture, but still carry a strong identity and are easy to recognize and remember.” With design partner Aleksej Iskos, the duo’s Copenhagen-based studio has gained international renown for its furniture, industrial and graphic design. Leningrad-born, Boris previously founded much-lauded Komplot Design, where Ukraine native Aleksej was employed as a longtime assistant. Collaborating with some of the world’s most prestigious manufacturers, Iskos-Berlin’s work has been featured in museums around the world and at both MoMA and the Danish Design Museum.
The partners say their aim is for a sharper and more precise take on design with an emphasis on delving into new technologies and materials. Likening their process to the art of storytelling, they admit that the narrative of a product may be complex but, in the end, the clearer the story is, the more likely people are to understand it. As to finding inspiration, Aleksej says it comes from everywhere. “From the beauty of nature in all its shapes, constructions and materials, to industrial processes,” he says. &