Form Chair: Wood Base + Upholstered + Oak
Form Chair: Wood Base + Upholstered + Oak
Form Chair: Wood Base + Upholstered + Walnut
Form Chair: Wood Base + Upholstered + Walnut
Form Chair: Wood Base + Upholstered + Black Oak
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
insitu
insitu
Form Chair: Wood Base + Upholstered + Oak
Form Chair: Wood Base + Upholstered + Oak
Form Chair: Wood Base + Upholstered + Walnut
Form Chair: Wood Base + Upholstered + Walnut
Form Chair: Wood Base + Upholstered + Black Oak
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
Form Chair: Wood Base + Upholstered
insitu
insitu
Normann Copenhagen × Simon Legald
Form Chair: Wood Base + Upholstered
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
$611.25
–
$956.25
$815
–
$1,275
Description
An upholstered option elevates both Form—the eponymous name of Simon Legald's chair series—and its function. Introduced in 2015 with Simon's fellow Danes at Normann Copenhagen, Form is a serious rethinking of the seamless polypropylene shell chair, involving more than 20 different prototypes and 3 years. "I had an idea of what the ideal chair should look like," notes Simon. Fabric options from noted Denmark purveyors Gabriel and Kvadrat, as well as a refined leather selection, imbue the minimalist shape with an added luxurious finesse. Also arresting is the elegant contrast of streamlined seat with the structural chair frame, available in walnut or oak.
Specifications
Size
- 31.5" h x 18.9" w x 20.5" d (80x48x52cm)
- Seat height: 17.3" (44cm)
Material
Lacquered oak or walnut, polypropylene, PU foam
Details
- Group 1: Oceanic, Aquarius
- Group 2: Remix 3, Main Line Flax, Synergy
- Group 3: Canvas 2, Yoredale
- Group 4: Steelcut Trio 3, City Velvet
- Group 5: Divina 3, Divina MD, Divina Melange 3, Hallingdal 65, Fiord 2
- Group 6: Zero, Vidar 4
- Group 7: Elle, Ultra Leather
- COM and COL are available on request
Made in Poland
Brand
Normann Copenhagen
“When Jan and I look at new designs for Normann Copenhagen, we take a very intuitive approach to the products,” according to cofounder Poul Madsen. “A picture can say much more than words and if we are both struck by what we see, we are interested.” Jan Andersen and Poul Madsen teamed up to create the Normann Copenhagen with a vision to shake up the contemporary design field. Now known the world over, they collaborate with new names and established talents from their native Denmark as well as internationally.
The company puts a premium on challenging conventional thinking in collections of tabletop products, lighting and furniture—with bold design strokes, innovative materials and a deft enjoyment of color. “We like products that have an original idea and a simple design, although we do not tie ourselves to a particular line,” Poul adds. “For us, the important thing is that the projects we get involved in bring something new into the world of design.”
Designer
Simon Legald
“Honesty with Nordic simplicity” is how the young but prolific Danish designer Simon Legald describes his style. This recent graduate of the Royal Danish Academy of Fine Arts already has an impressive roster of projects large and small-scale. All told, they exhibit a fine combination of craftsmanship and industrially influenced design. “Honesty is what makes a product understandable and is what describes the product’s functionality,” he says. “If you understand the product, it doesn’t need any explanation.”
Part of that honesty is the Copenhagen-based Simon’s habit of honoring the structural aspects and impressive techniques in his designs by revealing them visually in the final product. “I try not to add any unnecessary details,” he explains. “I work with simplicity by highlighting the necessities instead of hiding them.”
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