Model 2065 Wall Lamp
Model 2065 Wall Lamp
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Astep × Gino Sarfatti

Model 2065 Wall Lamp

$3,200

SKU: ASTP-T01-W31-00WW

Average lead time: 6-8 weeks


Description

Italian designer Gino Sarfatti was ahead of his time when he started experimenting with plastics and created Model 2065 in 1950. Revived by Copenhagen's Astep, the wall lamp version sustainably recasts the opalescent diffuser in Green Cast, a 100% recycled and recyclable polymer — patented and made in Italy — with the same aesthetic and functional quality of the original. Set on a long, elegantly curved tubular mount in black-painted steel, it casts a warm light from a cluster of 5 LED bulbs.

Specifications

Size

  • 74.8" h x 21.2" w x 26.8" d (190x53.8x68cm)
  • Shade: 21.2" dia (53.8cm)

Material

Opaline methacrylate, steel

Technical

  • Contact us for UL details
  • E14
  • Color temperature: 2700K
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Brand

Astep

Astep founder Alessandro Sarfatti is as close to design royalty as one can get. In 1939, his grandfather Gino Sarfatti founded the legendary Italian firm Arteluce, which introduced a notable sense of style to the lighting field. In turn, in 1978, his father Riccardo Sarfatti and his mother Sandra Severi, along with architect Paolo Rizzatto, followed up with Luceplan, exploring new lighting technology and working with specialized craftsmen. Both companies turned out a number of Italian modernist design classics, but Alessandro decided to form Astep in Denmark, telling Domus magazine, “All my roots are in Italy; my friends and my network are here. So, the company has this Scandinavia-Italy spin.”

Alessandro prizes both innovation and the high points of the past, developing new lighting products while retaining the best of the best. His company debuted with reworked versions of the Model 2065 style from his grandfather and the VV Cinquanta series from designer and family friend Vittoriano Viganò. Given today's digital-leaning world, Alessandro says Astep aspires to extend the forward-thinking outlook of his forbears and embrace the quality of life that new technologies offer. “Admiration for the past is a good thing,” he adds, “but, most of all, we want to offer something new.”


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