Karimoku New Standard × Big-Game
Castor Sofa 1 Seater
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
$3,255
–
$4,110
Description
Call it a 1 seater or a lounge chair, but studio Big-Game scales down its Castor Sofa to capacious individual seating. With inspiration from Le Corbusier’s classic Grand Confort with its exposed steel framework, the designers explore Karimoku New Standard's stellar heritage of Japanese wood craftsmanship with the striking solid-oak structure. Beautifully crafted and finished on all sides, it is offered in 3 wood tones, with plump cushions via a premium foam and natural feather fill and upholstered in either a fine textile or buttery leather
Specifications
Size
- 29.5" h x 37.4" w x 34.6" d (75x95x88cm)
- Seat height: 14.6" (37cm)
Material
Oak
Details
Upholstery
- Mode
- Merit
- Vidar 4
- Steelcut Trio 3
- Leather
- COM and COL are available on request
Brand
Karimoku New Standard
It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.
The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”