Castor Low Table: Large - 39.4
Castor Low Table: Large - 39.4"
Castor Low Table: Small - 19.7
Castor Low Table: Small - 19.7"
Castor Low Table: Large - 39.4
Castor Low Table: Large - 39.4" + Small - 19.7"
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
Castor Low Table
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Karimoku New Standard × Big-Game

Castor Low Table

$855 – $1,045

$855

SKU: KNS-T344CBME

Average lead time: 10-12 weeks

$1,045

SKU: KNS-T344GBME

Average lead time: 10-12 weeks
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Spec Sheet

Description

The Castor Low faithfully follows the lines of the sofa and lounge chair in the Castor Collection by Swiss studio Big-Game for Karimoku New Standard, and is available in square-topped side table and lower rectangular coffee table. Carefully crafted in Japan from sustainably-sourced, solid Japanese oak.

Specifications

Size

  • Small: 19.7" h x 19.7" w x 19.7" d (50x50x50cm)
  • Large: 13.8" h x 39.4" w x 19.7" w (35x100x50cm)

Material

Oak

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Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”

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