Name: Panthella 250 Table Lamp
Brand: Louis Poulsen • Verner Panton
SKU: LP-5744612652
Price: 539.75 USD
Availability: InStock

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Spec Sheet

Description

A scaled-down version of Verner Panton’s iconic 1971 creation, Panthella 250 makes for easy placement on windowsills, shelves or tables while it provides soft, glare-free illumination. The lamp is offered in colored metal with the inside of the shade painted white to direct the light directly downwards, bouncing off the trumpet-shaped stem or In opal acrylic models that produce a diffused reflected glow,.

Specifications

Size

13.6" h x 9.8" dia (34.6x25cm)
Base: 6.1" dia (15.6cm)
Cord length: 98.4" (250cm)

Material

Acrylic, steel, aluminum, opal PMMA

Technical

LED
Color temperature: 2700K
Dimmable

Brand

Louis Poulsen

With some of the most iconic lighting in modern design, it’s apropos to raise a glass to Louis Poulsen—especially as the Copenhagen lighting resource originated in the late 19th century in the after-finish of a wine-importing enterprise. Four years later, in 1878, founder Ludwig R. Poulsen was sparked by the new electricity technology hitting the city and opened a shop selling lighting and electrical supplies. Nephew Louis Poulsen joined as a shop assistant soon enough, and assumed the family business upon his uncle’s death in 1904.

With the arrival 2 decades later of designer Poul Henningsen came 2 of the most collectible and coveted Midcentury modern fixtures, the PH-5 and the “Artichoke.” The stable of now-legendary designers widened with the likes of Vilhelm Lauritzen, Arne Jacobson and Verner Panton. The output wasn’t all stunning form either. During WWII, the firm contrived a blackout lamp that allowed famed Tivoli Gardens in Copenhagen to remain open in the evenings, without interfering with the fighter jets in the skies above.

That pioneering spirit extended into the new century: forays with noted Danish-British designer Louise Campbell, who designed the striking Collage group; and Olafur Eliasson, who created the sculptural pendant OE Quasi Light. Building on its legacy of innovation, design and craftsmanship, the company continues to chart its course forward with a focus on sustainability in every phase of the product life cycle.

Designer

Verner Panton

Verner Panton has been called the most un-Danish of famous Danish designers. His 1960 breakthrough, the injection-molded, plastic S Chair, vividly summed up his experimental nature, propensity for bold color and relish for new materials. Then regarded as the bad boy of post-war Scandinavian design, he had originally studied architecture at the Royal Art Academy in Copenhagen, graduating in 1951. After a 2-year stint in the offices of fellow Dane Arne Jacobsen, he struck out on his own and his early architectural proposals using unlikely elements such as cardboard and plastics attracted wide notice.

One of the iconic designers of the 20th century, Verner’s work was animated with a sense of fun and remains popular and influential today. “Most people spend their lives living in dreary, grey-beige conformity, mortally afraid of using colors,” said the designer, who died in 1998. “I try to show new ways, to encourage people to use their imagination and make their surroundings more exciting.”